.Complaint 2 - Politicisation of Dr
Who
The use of Dr Who as a political vehicle concerned me greatly.
Writers should write for the creation, not themselves. Here is my initial
complaint to the Information unit:
1 June 2005
I would like to register a complaint about content in the new series
of Dr Who ... To my disappointment ... the programme has been used for
expressing political viewpoints.
Examples
"He's gay and she's and alien" This was a comment by the Doctor on reading a
magazine. The basis for this complaint is lack of relevance to Dr Who. It is
the writer talking, not the character.
Religion Early on
in this episode, a spaceship commentator says, "
the on-board use of
weapons, teleporters and religion is forbidden" (or something similar). I took
this as a gibe against religion. Again, it is the writer speaking, not the
character.
WMD/MWD & 45 minutes/45 seconds
There were numerous political
points in the second of these two episodes. I am interested in politics, but
not when watching Dr Who. I am not interested in the political views or
concerns of the people making the programme.
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Here is the Information Unit's reply, dated 28 July
2005:




A
more substantive complaint was submitted to the ECU on 18 October
2005:
18 October 2005
Dear Sirs
... Before
explaining the complaint, I would like to address a comment made by Mr Briggs
of the Information Unit. Mr Briggs described Dr Who as a success with viewers,
the implication being that this cuts the ground from underneath my complaint,
or renders it irrelevant. I regard such a view as a 'red herring' because I am
not, of course, making a complaint about Dr Who itself but about certain lines
that I regarded as inappropriate or offensive.
The analogy that I would
draw is that of litter in a park. A park may be beautiful, but litter is not.
It is not a defence of litter to say, "The park is beautiful, thousands of
people enjoy it". I also enjoyed much of the series of Dr Who, but my enjoyment
was significantly marred by certain aspects. The complaints that I make relate
to the "litter", not Dr Who.
Political
Content
The series
contained a large number of political references. My original complaint
referred to three examples, including the existence or otherwise of weapons of
mass destruction in Iraq and the claim that such missiles could be launched in
45 minutes.
Mr Briggs responded
that no political party or MP was identified. That is so, but that does not
change the fact that the writer was referring to the government's claim of
weapons of mass destruction in Iraq. The writer inverted the words "weapons of
mass destruction" to "massive weapons of destruction" and referred to a launch
of missiles in "45 seconds". It is perfectly evident what the writer was doing;
it was not necessary to say "Iraq" to make the point clear.
The other
two references in my original complaint were a one-word quip regarding religion
in "The End of the World", when a spaceship commentator says, "
the
on-board use of weapons, teleporters and religion is forbidden" (or something
similar), and the remark by the Doctor on reading a magazine, "He's gay and
she's an alien". My complaint was that in both instances it was again the
writer speaking, not the characters.
Although BBC Information says there was nothing wrong with the lines,
I think there is something very wrong when writers start writing for themselves
rather than the characters. Members of the Dr Who production team said in
television interviews and in the Radio Times prior to the show's airing
that the programme would engage in political commentary. As the series
progressed, other examples included off-the-cuff references to "immigration",
the "welfare state", and so on. In the Long Game, a character is described as
"This person has not quite made their mind up, but thinks they're bisexual!" (I
write from memory). The remark had no purpose other than the writer wanting to
refer to bisexuals.
The political emphasis was explained by the
writer-producer to an enquirer (I highlight remarks of relevance):
Question from enquirer, April 2005
I have to query one of your lines of dialogue in Aliens of London.
Rose to the Doctor: "You're so gay." I realise you're hardly going to use the
series as a soapbox to preach, but when you have the chance to show a positive
example to the millions of youngsters watching, is such a line really a good
idea? Does it not, in fact, reinforce a dreadful attitude (that 'gay' is
acceptable as an insult) which is echoed by children in schools every day? How
would you have felt?
Answer
from Writer-Producer Russell T Davies
It was a complicated moment which required a great deal of thought
there's a vital political issue burning away here, and you do
nothing about those issues if you ignore them. I've put it right at the
heart of BBC1 primetime. Put it this way: let's imagine a viewer who has,
roughly, yours and my sensibilities. Let's call him A. Now, before that
comment, there were millions of kids using the word 'gay' as an insult, and
what was A doing about it? Probably nothing. Yes, there are activists out
there, but most people don't, so A was left passive. Nothing changes. On the
other hand, Rose says 'You're so gay', A objects, and - here's the crux - A
DOES SOMETHING. He gets up off his seat. He tells his nearest and dearest that
he objects. He might even go so far as to contact the author, to complain.
Fantastic. Good television isn't television which makes you smile
all the time and agree. If it makes you stand up and object - especially
where you weren't expecting it - then that's a brilliant and powerful
thing. That's why it's important that the word comes from Rose; lovely,
kind Rose (who's exactly the right age to be using that word in that context).
If a villain had said it, then he's a villain, and therefore an idiot, so
there's no problem. When the good guys say it, as they do, then that causes a
problem. And that problem is good.
It's agitation. And it works. If one parent - watching a
family show - objected about the usage of 'gay' in front of his or her kids; if
one teacher thought that was wrong, that this pernicious insult has invaded
even Doctor Who; if one man has gone to the effort of contacting a writer in
order to tackle a vital subject, and will then take that debate into other
areas of his life, then that is absolutely excellent. If Rose had said nothing,
less would happen. You can't always make your point in life by saying the right
thing and being nice (not in my opinion anyway, and unfortunately, I'm the
writer!). You have to provoke.
And there's a long game at work here. Let's imagine, say, viewer
B, who is an idiot. And B chuckles along in Beavis-and-Butthead style at Rose's
comment, agreeing; he thinks, I like this show, I hate the gays, Doctor Who is
good. Fine. So he keeps watching. And in a few weeks time, the Doctor gets a
strapping, heroic male companion... who is clearly and resolutely bisexual.
Viewer B's head implodes. My work is done. |
My
reasons for objecting are as follows:
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Like many viewers, I work for a living. I do not take advantage of
the time or facilities provided by my employer to pursue my own political
concerns. That is an activity that I undertake on my own time. Similarly, I
expect the same from people employed elsewhere, including the BBC. Refraining
from allowing personal interests to intrude in one's professional capacity is
doubly important at the BBC, because of the power of television to influence.
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In paying a TV licence, I am entitled to a number of services,
including entertainment. Entertainment is a diversion to the stress that I and
other viewers undergo during our working week; as such, no viewer should have
to apologise for wishing to be entertained; it is a product that we have paid
for and to which we are entitled. Consequently, it is an abuse when people who
are employed to provide entertainment take it upon themselves to preach,
manipulate or otherwise "agitate" viewers out of their period of relaxation to
think about "issues". |
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The issues raised in Dr Who reflect only the concerns and
prejudices of the writers. The writers did not, for instance, throw in a
reference to "single currency". They did not make an implied criticism of a
"ban on hunting". They used the show only for what they themselves considered
important. |
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I am not saying that issues raised by Dr Who writers are not
important. In my view, religion, immigration, Iraq, the welfare state and
homophobia are all important. But it is neither respectful nor competent for a
writer to toss in a word and to think he has "dealt with an issue". The welfare
state, for instance, is a complex matter; although intended to deliver care
equitably and efficiently, the welfare state practices both discrimination and
mal-administration. I did not see either of these referred to by the writer.
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But whether or not I agree with the issued raised by Dr Who
writers is not the point of my objection. It is their use of the Dr Who
programme for self-expression that is unacceptable. |
If
members of the Dr Who office wish to engage in political commentary, then
programmes exist for this purpose (e.g. Panorama, That Was the Week That Was).
Alternatively, they can promote their political interests in their own time. To
use Dr Who as a vehicle for drawing attention to political concerns is a misuse
of the programme.
If I
may refer again to the analogy of the park made in my introduction, a person
who feels strongly about an issue may - in their own mind - feel perfectly
justified to drop leaflets around the park with political information or
messages. However, such leaflets are common litter, no different from sweet
wrappers and crisp packets. It does not matter how laudable the messages are;
the leaflets are litter by virtue of the way they are deposited. Normally, the
job of a park attendant is to prevent litter. In the case of Dr Who, the park
attendants are the chief litter louts. |
The ECU's
response was dated 10 November 2005:


This complaint was appealed to the Board of Governors on 18 May
2005.
Click to go to
Complaint 3.
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